
Blood Feud is award-winning journalist Kathleen Sharp's nail-biting exposé of the Procrit case. Packed with corporate espionage, plot twists, and larger-than-life characters, it's as gripping as it is terrifyingly true.
AUDIE WINNER Literary Fiction, Audiobook Reader of the Year Publishers Weekly, Audie Nominations, Earphones Award, Publishers Weekly Listen-UP Awards, Audiobook of the Year, AudioFile Magazine. Starred reviews with Library Journal, Kirkus, and Publishers Weekly. Co-Founder of The Deyan Institute of Voice Artistry and Technology


A tree that sheds poison daggers; a glistening red seed that stops the heart; a shrub that causes paralysis; a vine that strangles; and a leaf that triggered a war. Stewart takes on over two hundred of Mother Nature's most appalling creations in an A to Z of plants that kill, maim, intoxicate, and otherwise offend.
Menacing botanical illustrations and splendidly ghastly drawings create a fascinating portrait of the evildoers that may be lurking in your own backyard. Drawing on history, medicine, science, and legend, this compendium of bloodcurdling botany will entertain, alarm, and enlighten even the most intrepid gardeners and nature lovers.
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Publishers Weekly Listen-Up Award Winner
Amazon Editors' Pick
Publisher"s weekly starred audio:
"Blum’s spine-tingling thriller about early 20th-century poisoners, their innovations in undetectable killing methods, and New York City’s first medical examiner and toxicologist who documented the telltale signs of poisoning is given a theatrical twist in Coleen Marlo’s reading. Her voice is smoky and tinged with humor, irony, and light mocking as she revisits the rudimentary methods of the murder and equally rudimentary science of the Jazz Age. She’s an able guide to the science and her voices are pitch-perfect--especially her humorously masculine characterizations of Blum’s male subjects." A Penguin Press hardcover (Reviews, Dec. 14). (Mar.)
Pulitzer Prize winner Deborah Blum’s fascinating study of the birth of forensic medicine is a finalist for the Audie Award in nonfiction, and narrator Coleen Marlo is one excellent reason. Marlo’s voice is pleasant; her delivery, cool and compelling.....Blum’s spirited prose and well-researched science and Marlo’s intelligent performance make this nonfiction production seem like a series of powerful short stories. AudioFile 2011, Portland, Maine [Published: MARCH 2011]
"With the pacing and rich characterization of a first-rate suspense novelist, Blum makes science accessible and fascinating." ---Publishers Weekly Starred Review
"Not only is The Poisoner's Handbook as thrilling as any CSI episode, but it also offers something even better: an education in how forensics really works." ---The Washington Post
"[A]n inventive history that, like arsenic mixed into blackberry pie, goes down with ease." ---The New York Times
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This Christmas isn't so merry for Toni. Her best friend's been locked up in a mental hospital ever since she told the police she was attacked by vampires, and the only way for Toni to get her out is to prove that bloodsuckers really do exist. So she's taken a job as a bodyguard for the Undead, but she gets more than she bargained for, especially when she meets Ian MacPhie, a Scottish rascal looking for Ms. Right. Could Mr. Wrong be Mr. Right? One forbidden kiss could lead to an eternity of passion.

"A touching, inspiring look behind the scenes at the founding of one of the most famous nonprofit organizations in the world." ---Kirkus
"A tribute to a beloved sibling and recognition of an international organization whose goal is to eradicate the disease that killed her." ---Library Journal Starred Review

"Coleen Marlo, narrator of Pilgrims, has a silk slip of a voice that ably roams from the coarse drawl of a rodeo cowboy to the hollow whine of Babette, a bawdy Manhattan nightclub singer. Marlo passes up the easy fixes of pinning characters with cartoonish regional accents or undermining their essential dignity by assuming an absence of formal education translates into broken English. Pilgrims is both buoyant and prickly. Under Marlo’s finespun, intelligent narration, listeners will find an intuitive collaborator to Gilbert’s good flow." —Nita Rao
"Marlo bags the usual stereotypical vernacular and gives the characters carefully inflected personalities that up the zing on the dialogue. Though it is easy to assume that Gilbert heard very specific voices as she wrote-- or even lived through these tales it's certain that Marlo herself has infused the stories with some American adventures and sensibilities of her own--a direction that had the author applauding I'm sure once she heard the outcome of their collaboration. " Amazon.com "

"In these 16 stories, Coleen Marlo gives voice to Joyce Carol Oates’ gothic cast of abandoned women caught in limbo and fighting to break through. The tone is set from the first few sentences of the very first tale, “Pumpkin-Head”, where a recently widowed woman muses, “There is not one person to whom you matter now. This is the crossing over.” Marlo delivers these words in a voice dripping with self-accusation — a sense of guilt and personal responsibility at being left behind pervades Sourland, and sexual violence and degradation at the hands of others is welcomed by the victims as a deserved punishment.
There is also an arbitrary cut-off point for several of the stories, as if Oates loses interest in developing a story as soon as we become interested in her slowly unfolding characters. But this is remedied by the depth and shade given to each characterisation by Marlo’s performance, and her wistful voice can be as comforting as a hushed lullaby or as cutting as a thorn bush. The peripheral characters are also made into vivid cameos, and she is adept at the male rage that buffers the women. In “Honor Code”, listen as she spits out “Don’t you turn your back on me!” and feel the tension intensify by several degrees. She also clearly differentiates between narrative voice and character dialog — the tension between the two aspects of her performance tell their own story and add another level of drama to these urgent gothic parables that leaves the listener reeling." —Dafydd Phillips
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